Review: The Big Lebowski

This is a classic movie by the Coen brothers that came out after Fargo. Fargo was considered the most accessible of the Coen brothers. The story was fairly straight-forward, involving a guy (William Macy) who wants to have his wife kidnapped so he can get money from her father. The kidnapping goes awry. Frances McDormand plays a sheriff who investigates the crime. The quirky characters, the mildly grisly violence, the Minnesotan accents all lead to a fairly enjoyable experience.

The Coen brothers don't try to be too accessible. You figure they're up to something, but not sure what.

They followed up Fargo with The Big Lebowski. Ostensibly, a film about bowling, it's more about the weirdness in Jeff Lebowski's life. He's not the titular "Big Lebowski". That would be a wealthy man in a wheelchair. This Lebowski is unemployed, mostly drunk, loves to bowl, and prefers to go by "The Dude".

The film is really well shot. The director of photography, Roger Deakins, does a great job with the look of the film.

"The Dude" is a pretty chill guy. He's probably meant to represent Jesus, despite another character in the film named Jesus. He contrasts with the short tempered John Goodman.

Watching the film, two things come to mind. One, David Lynch. Lynch's films are usually strange, but not terribly humorous. The Coen brothers are similarly strange, but usually, there's a sense of humor, as odd as it may be. Two, that there is a lot references going on that I'm missing.

For example, let's go with "The Dude" as Jesus idea. I can't say I know the Bible well enough to point out what certain scenes mean. Indeed, I know I can't do that.

Here are things that are puzzling. There's the rug. Clearly, the Dude likes his rug, but he doesn't mind having a rug from "The Big Lebowski" instead of his own. Why is the rug important?

What's the deal with Maude? She eventually reveals the details of "The Big Lebowski" and whether he's really as rich as he pretends to be. Is she Mary Magdalene?

What is the meaning of bowling in their lives?

"The Dude" doesn't have followers. He doesn't seem to minister to anyone. Indeed, he seems to be in a stupor. His lack of employment is mentioned quite a lot. Unlike his buddy, he doesn't seem to need money, and yet appears to have enough money to live on.

Why does he drink white Russians? He drinks it quite a lot. He smokes joints. He doesn't seem to care for sex, but doesn't mind getting into it. Doesn't seem to want a real relationship. Why does Maude want "The Dude" to be the father of her child?

Despite the weird things that happen to "The Dude", he takes everything in stride. He's not above lying here and there if it suits his needs, although he's a generally positive character.

Is the setting of Los Angeles important? It means "The Angels" and there have been films using "Lost Angels" as a variation.

There is the notion that Jesus went to h*ll after being crucified. Does the story chronicle a version of this story? Is bowling used because the Coens consider it a sport that someone might be punished to play?

Why is "The Dude" always sniffing the milk? He seems concerned that it will go bad, and is always checking for it.

Does everything have a meaning, or are their quirks thrown in, for quirks sake? The Coens are rather literary. They refer to all sorts of things, then tell a strange story taking elements from all over.

Despite the strangeness of the film, if you get into it, it's eminently watchable. If you don't care that the movie has to be about something that makes total sense, then it's enjoyable. I mean, if you can believe that a guy would get into all these weird situations and love bowling, then you can derive pleasure from the film.

By the way, does "The Dude" ever bowl in the film? I seem to recall everyone else bowling, but I don't seem to recall him bowling.

Lazy Reporting

If you have to pick an area of news reporting with the least integrity, what would it be? Sports reporting, for the most part, is pretty good. The biggest problem with sports reporting is the fact that sports reporters are, at the very heart of it, fans of the sports. They are wow'ed by the best players, and like to hob-nob with the celebrity athlete.

The worst news reporting is entertainment news. Where a good sports reporter might get fame for their quality of writing or sports shows, figures like Bob Ryan or Tony Kornheiser or Michael Wilbon, there's hardly any reputable entertainment news reporters. The ones with the best reputations are most likely film critics. Other than that, the majority of them seem like air-headed suck-ups who fear that a critical word would lead to instant denial of access, and thus, instant death in the industry.

At the very least, athletes are generally compelled to talk to reporters. Actors and actresses are under no such obligations.

That leads to the latest Star Trek film. Rather than continue along the Next Generation route, which has lead to several less than memorable films, J. J. Abrams, who created hit TV series, Lost and Alias and directed the third Mission Impossible film and the less than successful, Cloverfield.

In several interviews, he's already pointed out that he's not a huge Star Trek fan, and has taken liberties with the original show. He worked with non-fans of the show as well as huge fans of the show to create a story that would work well for those who loved the series, and those who knew little about Spock and Kirk.

Nearly every report has said that he is "rebooting" the series, that he is reviving a moribund franchise. This has to be sucking up to a major degree. To be fair, the TNG movies have not been very good, partly because they relied on the same creative team that made the series, and that series often succeed where their films do not. The reason is familiarity. You get familiar with the characters, but then they seem more like friends rather than exceptional people, and you see their warts and all, and there's a great degree of history that needs to be respected.

The fact of the matter is the series had done quite well. The original series lead to 6 TOS films and a handful of follow-up TNG films. The TNG films have not done well, and there was a huge gap between the last and penultimate TNG film. However, Star Trek spawned four series, including the original, TNG, DS9, and Enterprise. That's pretty successful. True, there has been no Star Trek series since then, but it's had a pretty good run.

Was the so-called reboot necessary? Well, there's still a built-in audience that likes Star Trek. To recast the original group with younger actors, and to have some other creative talent take over, sure, that can help. Some might argue Star Wars would have been better if the Lucas would let go of the reins and let other directors work in the Star Wars universe.

In any case, entertainment reporting on Star Trek is still lazy, lazy writing.

Still, people are more excited then ever. I didn't care about any of the TNG films, but this one sounds like it's worth watching.